On the forum, M. David Mullen - who I think is going for a world record commenting on the most cinematography web sites - commented that he tends to use 5k tungsten fixtures when shooting high speed video. I was wondering if that was overkill or was it really true that you need that sort of massive bulb? The amount of flicker a tungsten light produces is mainly related to the thermal mass (i.e. physical size) of the bulb. The bigger it is, the longer it takes to warm and cool between 60Hz cycles from AC wall power. So all of you DIY-ers out there can forget about using household 100W bulbs. You need some real video-purposed lights here. For HMI and LED, the flicker is related to the ballast design.
I grabbed four lights off the show room floor and lit up a Macbeth chart. The lights used were...
- Arri 300W Tungsten
- Desisti 1kW Tungsten
- Ushio Pro Panel LED
- Film Gear 575W HMI
As expected, the Arri 300W light shows significant flicker at all frame rates. What surprised me is that the Desisti 1k didn't really show much flicker, if any. The Ushio and Film Gear lights were both flicker free at all frame rates.
In the video below the top half of the frame is a static frame grab. The bottom half of the frame is the continuous video capture. I wanted to make sure there was a consistent frame of reference to see the flicker effects easier.
As always, if you have questions please call the shop and we'll help you pick the best lights to use for any video capture situation. Salvador would love to talk lights with you, especially after the new Mole-Richardson LED lights came through the shop! When the customer left with the M-R LEDs I'm pretty sure Salvador had to hold back a tear, but don't tell him I wrote that.
