I recently started investing in some nicer glass for the front of my camera,
i.e. Zeiss ZF.2's. The problem is that I have a 5D mark II, currently, and I
plan to move up to a Sony video camera next year. ZF.2's are Nikon mount lenses
and the 5D and FS-700...etc are Canon EF mount and Sony E-mount respectively.
Short of taking out a second mortgage and selling a kidney to buy a set of
CP.2's, at least at my level of typical production budget, I needed a solution to adapt the Nikon mount to whatever camera I'm using
at the time. In walks Novoflex (dah dah dummmm.....dramatic hero pause). Below
is a picture of three adapters that Video Gear sells for Nikon lens to EF mount,
Micro Four-Thirds lens to Canon FD and Nikon lens to Sony E-mount (left to
right).
One of the problems I immediately noticed out of the box is that the lens was
loose on mount. The pro-sumer grade EF mount is normally a bit loose, even with
an L series lens. That side was actually equivalent to my Canon lens being
mounted - no big deal. The Nikon lens mount, however, was unreasonably loose.
So loose that the lens would shift around if I tried to use it with a follow
focus. That's no good! At first I was thinking that this adapter was an
overpriced hunk of junk and I emailed the Novoflex support to see if there was
anything they could do. The helpful support person
sent me a photo showing a picture like the one below. It turns out that lens
adapter tolerance is a well known issue. Just read the reviews on Amazon and
whatever site that talk about all the problems with cheap adapters - 1000 of
comments! Using a small screwdriver I very slightly pried open the spring slots
and viola!...The ZF.2 was rock solid. I wish I could say the same for Canon's
EF mount on the 5D (it's really not **THAT** bad, but still). The only other solution that comes close to being this solid is the Leitax mount and that's semi-permanent and not transferable between lenses while working on a film set.
By now you probably noticed the large blue lever on the side of the adapter.
This is for manual control of the lens aperture. In theory it seems like a
convenient feature, but in practice it's not really useful. For camera
operators like me, I need to know the actual value of the aperture so when I
meter the light in the scene I know the lights are set correctly. Using the
lever is kinda of hap hazard and not the way I prefer to work. The ZF.2's
include a manual aperture ring, which is my preferred way of working.
In
order to mount up the Novoflex adapter I recommend to first set the lens
aperture to it's smallest value; f/22 in this case. In the second picture below
you'll see that the adapter's small silver tab near the top of the picture is
just to the right of the black lens aperture control lever at the left. This is
the way you'll need to line up the adapter for mounting. In the third picture
you'll see the silver tab has been rotated counter-clockwise to butt up to the
lens aperture lever. Then it's just a matter of lining up the red dot (first
picture) to the red dot on the EF mount and mounting the lens as you would any
other Canon lens.
When I upgrade to a real video camera I plan on purchasing the Nikon lens to
E-mount adapter. Hopefully that works just as well. Oh...and Zeiss CP.2 Super-Speeds are coming into Video Gear's rental arsenal soon...you know, just in case you want to use the real deal without any adapters. According to Micheal, the lenses will be available in EF, PL, and E-mount.
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